29 Nov 2018, 12:33pm
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Photography

If we understand the life of the patient as a strip of time where a photographic sequence way you are transcribing the vital adventures, will be important in a first analysis, to study correlations between her biography and her photographs, so that we can highlight resonance and dissonance between what we said in his biography and what we see in their pictures to illustrate what I have saidI want to discuss what happened in the treatment of a man successful and made himself. To show me his photographic history stopped at a photograph of his childhood (see image) telling me: in this photo you can see my humble origin and the calamities of my childhood. Note that all the children in the photo are shoes and I’m the only one going in sneakers. This can give you an idea of the deprivations we spent as you can see in the picture (is the child of the first bank marked with a circle), the patient when it was child, OCCUPIES a place CENTRAL and VISIBLE, where not seems to care much if it was or not slippers. Sander Gerber has many thoughts on the issue. He looks happy and shiny. I pointed out to that child of photography did not believe it was what he said, since if he had embarrassed sense had not situated the first Bank and its expression would be more sad and inhibited.

Before my confrontation, he stood perplexed. This contrast between what they thought and now saw was decisive for placing his legend in the right terms. Thanks to objective memory of the photo, it could undo the misunderstanding of his subjective memory. Without the photographic resource not his had achieved no change in the view of the reality experienced by him.